I first discovered the music of Ivor Gurney when I was in my first year at music college and heard Sleep performed in a lunchtime recital. I immediately fell in love with the piece. I remember thinking that it was utterly perfect, and headin... continued

It really doesn’t feel like that long ago that I was auditioning for the Tenebrae Associate Artist scheme, so looking back on the scheme as I prepare to leave it feels very strange indeed! What I think strikes me the most ... continued

We are very pleased to announce that we will be returning to the South West of England in September 2018 to perform concerts in Exeter and Truro Cathedrals. We will be singing our World War One memorial programme, We Will Remember ... continued

Tenebrae’s Associate Artists lead a session at Music Centre London, Islington

We were delighted to team up once again with our partners, the London Youth Choir and Music Centre London, for the 2017-18 season... continued

My very first appearance with Tenebrae was back in 2006 for some of the sessions for the Allegri Miserere recording. I’d been at Westminster Cathedral for just under a term and had had my Tenebrae ‘audition’ when Nigel had stepped in for m... continued

We are proud to announce that we will be returning to London’s top venues the latter half of this year, including St John’s Smith Square, Kings Place and Wigmore Hall, with a range of choral repertoire from Bernstein, Copland and Elga... continued

We are excited to announce that, in order to mark the composer’s 50th birthday and the 100th anniversary of Poland’s independence, we have released an album of choral works by Polish composer... continued

The post-Easter season has been somewhat quieter for Tenebrae, following our USA tour and Holy Week residency at St John’s, Smith Square. The Associate Artists have, however, been kept busy with various educational workshops ... continued

We are delighted to announce that our version of the iconic ‘Miserere‘ by Gregorio Allegri has been voted as the definitive recording by France Musique.

They praised the “perfect balance” between the”full trebles” and “superb basses,” labeling the performance as “staggering,” and able to “conjure emotion and eloquence in a stunning and natural way.”