a beautifully judged and scaled performance.
– The Guardian
Victoria: Tenebrae Responsories
Tenebrae returns to the sublime music of Tomás Luis de Victoria on Signum with this recording of his timeless Tenebrae Responsories. The works mix the words of the Gospels with other texts commenting on collective suffering written around the 4th century, and would traditionally have been performed as part of a moving service in which candles are slowly extinguished to mark the progress and suffering of Christ that forms the Passion story. Tenebrae’s previous disc of works by Victoria (Requiem Mass, 1605) won the BBC Music Magazine Award for Best Choral Album of 2012.
a beautifully judged and scaled performance.
– The Guardian
- Release Date: 02 September 2013
- Record Label: Signum Classics
- Catalogue Number: SIGCD344
- Location of Recording: St Alban the Martyr, Holborn, London
- Total Running Time: 01:12:01
- View/Download Liner Notes
Purchase Options
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Individual Tracks
Add individual tracks to your shopping cart by ticking their boxes in the track listing table below.
Buy | # | Title | Composer | Duration | Price | Listen |
---|---|---|---|---|---|---|
1 | Responsories for Maundy Thursday Nocturn II: Amicus meus osculi me tradidit signa | Tomás Luis de Victoria | 03:01 | £ | Listen | |
2 | Responsories for Maundy Thursday Nocturn II: Ludas mercator pessimus | Tomás Luis de Victoria | 02:24 | £ | Listen | |
3 | Responsories for Maundy Thursday Nocturn II: Unus ex discipulis meis tradet me hodie | Tomás Luis de Victoria | 04:07 | £ | Listen | |
4 | Responsories for Maundy Thursday Nocturn III: Eram quasi agnus innocens | Tomás Luis de Victoria | 03:31 | £ | Listen | |
5 | Responsories for Maundy Thursday Nocturn III: Una hora non potuistis vigilare mecum | Tomás Luis de Victoria | 03:05 | £ | Listen | |
6 | Responsories for Maundy Thursday Nocturn III: Seniores populi consilium fecerunt | Tomás Luis de Victoria | 05:43 | £ | Listen | |
7 | Responsories for Good Friday Nocturn II: Tamquam ad latronem existis | Tomás Luis de Victoria | 03:42 | £ | Listen | |
8 | Responsories for Good Friday Nocturn II: Tenebrae factae sunt | Tomás Luis de Victoria | 04:22 | £ | Listen | |
9 | Responsories for Good Friday Nocturn II: Animam meam dilectam | Tomás Luis de Victoria | 08:14 | £ | Listen | |
10 | Responsories for Good Friday Nocturn III: Tradiderunt me in manus impiorum | Tomás Luis de Victoria | 02:43 | £ | Listen | |
11 | Responsories for Good Friday Nocturn III: Lesum tradidit impius summis | Tomás Luis de Victoria | 02:55 | £ | Listen | |
12 | Responsories for Good Friday Nocturn III: Caligaverunt oculi me | Tomás Luis de Victoria | 06:32 | £ | Listen | |
13 | Responsories for Holy Saturday Nocturn II: Recessit pastor noster | Tomás Luis de Victoria | 03:31 | £ | Listen | |
14 | Responsories for Holy Saturday Nocturn II: O vos omnes | Tomás Luis de Victoria | 03:04 | £ | Listen | |
15 | Responsories for Holy Saturday Nocturn II: Ecce quomodo moritur iustus | Tomás Luis de Victoria | 05:29 | £ | Listen | |
16 | Responsories for Holy Saturday Nocturn III: Astiterunt reges terrae | Tomás Luis de Victoria | 02:10 | £ | Listen | |
17 | Responsories for Holy Saturday Nocturn III: Aestimatus sum cum descendentibus | Tomás Luis de Victoria | 02:44 | £ | Listen | |
18 | Responsories for Holy Saturday Nocturn III: Sepulto Domino | Tomás Luis de Victoria | 04:41 | £ | Listen |
…this recording is the most nuanced and telling available. First there is the sheer sound of the ensemble: beautifully balanced and tuned with, at times (Caligaverunt oculi), an almost glassy perfection. Next there is an exceptional awareness of the different narrative voices…Finally there is the seamless, architectural line…This really is excellent.
– BBC Music Magazine
The blend is gorgeous and awareness of individual lines and voices always serves both the music and its meaning.
– Choir & Organ
This beautifully realised release from Tenebrae goes a long way to confirming their position as the one of – if not the – finest chamber choirs at work in Britain today…The singing itself is marvellous throughout. When the sopranos sing alone the effect is bright, pearly and luminescent…The tightness of the ensemble is a thing to marvel at
– MusicWeb International
a glorious sound that combines both power and intimacy
– Cross Rhythms
Gramophone Magazine, Editor’s Choice (2013)